Rental

Frequently asked questions for organizers

To whom should I send my work or demos? To whom should I send my entertainment or co-production idea?

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What is the venue’s capacity?

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I would like to rent for a party with friends just one section of the Club Soda. Who should I contact?

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Is a seating plan available?

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Are the shows presented in your venue reserved to those 18 years and over?

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Is the venue accessible to people with limited mobility?

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I would like to rent Club Soda for an event. What steps do I need to take in order to do so?

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What does the venue rental include?

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What is the implementation process with regards to ticket sales?

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Will I be updated in real-time as to how many tickets have been sold for my event?

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What is a “consignment ticket?”

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Can I sell my tickets via another transactional site, such as PayPal?

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What are the costs associated with the ticketing service?

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Where can we park our production vehicles?

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Does Club Soda allow fire breathers to perform and the use of pyrotechnics?

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I have decorative elements to install. How do I proceed?

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When is the earliest I can access the venue/hall?

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I would like a caterer.  Do you work exclusively with a specific caterer? Do you charge a royalty fee?

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Can I choose the security company that will be hired for my event?

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Must I hire your stage technicians?

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I would like to finance my event by selling alcohol. How should I proceed?

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I am close to securing a major alcohol sponsorship for my event.  What should I know before confirming the sponsorship?

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Are clients obligated to use the cloakroom?

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Will my event appear on your website?

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What type of third party liability insurance is available to us?

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Do you require a deposit?

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 Simian Mobile Disco. Credit: Empay Photographe



 Ligue nationale d'improvisation. Credit: Hugues Bergevin



 Stephan Bodzin. Crédit: Empay Photographe



 Une délicieuse Bacchanale. Credit: Empay Photographe



 Radio Radio. Credit: Empay Photographe



 Soirées Juste pour rire. Credit: Empay Photographe



 DJ Poirier, Nuit blanche à Montréal 2015. Credit: Philippe Sawicki